French Exit is unapologetically niche, but undeniably a gorgeous, hilarious and engaging piece of cinema.

It’s a no from me dog.

This movie sucks. It is utterly unwatchable, and truly a crime against cinema. I hated watching it, I hated reviewing it, and I would hate for you to have to suffer through it too. Stay away from this in any capacity.

La Daronne is an oddly light-hearted take on this material, but it’s also perfectly fun to watch.

Crisis is fine - but unremarkable.

Boss Level is perfect for what it intends to be. An incredibly fun, funny and action-packed time at the cinema.

This is unmissable cinema. Run don't walk to catch this in the cinema.

You’ll feel the constraints of the budget, but you’ll also feel a tiny pull on your heartstrings.

The Little Things fills its runtime with beautiful cinematography, some great performance work and a desire to subvert expectations, but all up it feels much like the justice achieved by these detectives - workable, but dissatisfying.

2067 is a bitter disappointment.

High Ground is a tense Australian western, that does a great job of engrossing you in a violent colonial story that needs telling.

The anti-Tenet, this plotless movie is aggressively dumb.

My Salinger Year makes you hate movies. Just remember - they’re not all like this.

The Dry isn’t changing the face of cinema - it’s doing what we’ve seen before, just really, really well. For fans of the genre, or even for fans of big budget cinema in general, this is a must see.

The Witches is a bit of a mess, but the bright spots are just enough to paper over the dull ones.