Finding Emily is a lovely piece of throwback cinema for those of us who grew up with these types of rom-coms. A rousing success that should be seen on the big screen!

Visually sumptuous, deeply confusing, and extremely talky, Mother Mary is kind of exactly what you would imagine you’d get from a pop star movie by David Lowery.

An efficient semi-heist actioner, but Ritchie feels a little formulaic and charmless with this one.

Bigger, bloodier and funnier - Mortal Kombat II brings it in spades. 

Amrum is placid, content to observe its moment rather than interrogate it.

Edge of your seat levels of uncomfortableness, The Drama will have you rapt from beginning to end. 

This film is wild! A blast of fun, and plenty of blood and gore to go around.

Bloody, brutal and bigger than the last, this update on the surprise smash hit feels earned, if not quite as strong. 

Project Hail Mary blasts off - taking you on a thrilling journey that might also have you falling in love with an animated rock.

Fast paced, engaging and undeniably cool, GOAT is a slam dunk. 

Cold Storage heats up the screen, and at times becomes a genuine blast. 

Reminders of Him might not flirt with anything remotely close to fresh or new, but it is perfectly serviceable as a heady romantic drama with a definite Nicholas Sparks vibe.

This little known story holds a lot of interest, and looks gorgeous, but the quirks can sometimes oscillate between being a strength and being a drag.

Achingly slow, ambling, and at times given to its worst, most artsy and pretentious impulses, Anemone is a frustrating vehicle if only because the two amazing, all-time monologues from Daniel Day-Lewis compel you to sit through the rest of the film. 

Addition never quite adds up to the sum of its parts. With a strong central romance and a standout performance from Joe Dempsie, the film nevertheless ties itself in knots to provide complexity and nuance it doesn’t need.