Last Night In Soho is a joy; thrilling, exciting, beautiful and, ultimately, the sort of movie you’ll think on fondly for weeks after leaving the theatre.

Zola, while not really having anything to say other than portraying an amazing real life story, nevertheless is an engaging piece of cinema, that will keep you upbeat and have you recounting some of the more wild moments with your fellow moviegoers after the film.

There’s a lot to love about Ron’s Gone Wrong, and you can’t go wrong taking your kids to the theatre to see it.

A flawed, but engaging documentary piece, Sumodo -The Successors of Samurai- is a unique traipse into the intriguing world of sumo.

Three Perfect Daughters has some problematic helicopter parenting, but is a funny take on well-worn material.

Strap yourselves in for a long, but rewarding, medieval tale from Ridley Scott.

Ride The Eagle, as a film, under-utilises some of its name brand talent, but fundamentally hits on a winner with a calm, endearing story about loss, regret and enjoying the simple moments in life.

If this pops up on Netflix and autoplay cues it up, it wouldn’t be the worst thing in the world. But this isn’t a film to seek out.

No rage here - Cage brings a tremendous performance to bear in a story that at once warms and breaks your heart.

Serviceable but unessential viewing, Forever First Love struggles to define its place.

Joe Bell does everything right in portraying grief on screen - it’s just a shame that focus is pulled from the tragedy.

Shang-Chi is a welcome big screen gem from Marvel, that will breed excitement for where the MCU goes post-Avengers.

Respect delivers a potent telling of a musical legend, perfectly embodied by Hudson.

The Ice Road is confusing, full of ridiculous product placement, and produce with all the zest of a lime you cut in half and left in the fridge for the next 8 weeks, but there’s an indescribable nugget of honesty and truth in it that is nevertheless endearing.

Snake Eyes is oddly better than expected.

OLD feels just that from the off, but miraculously the patina of age falls away as the story gets underway proper, and Shyamalan gets engrossed in telling an intriguing, if not overly thrilling, story.

Jungle Cruise is overly long and has some lacklustre elements without a really iconic hero performance, but it’s a welcome return to the adventure genre.

Nine Days is a must-see, beautiful film.