A mile a minute, super slick, The Innocent is a rip roaring time in the cinema.

Don’t just ghost this one; block it, get a new number, and throw your phone in the river.

Allelujah is a completely baffling exercise; blowing up an otherwise poorly constructed and disinteresting light ensemble comedy set amidst a geriatric ward by veering hard into serial killer territory, before breaking the fourth wall in a dumbfounding piece of propaganda. 

The Super Mario Bros avoids disaster, but doesn’t bring anything new to the tale in this all too familiar animated film.

Air is the sort of simple, wholesome content that - when done well, and it is done very well here - makes an impact.

A bloody and brutal end to John’s story.

You’ll want to roll the dice on this one. A rollicking good time, that - against all odds - is very funny and a lot of fun.

Living is the antithesis of the gratuitous, showy, self-obsessed Oscar nominated movies of this year. But despite its contentment with a lack of ambition, it’s a quietly marvelous piece of filmmaking and performance.

A nonsensical and deeply flawed sequel, that’s overstuffed, overlong and completely infuriating.