Downton Abbey: The Grand Finale Review
Undoubtedly a joyous watch for fans of the series.
Mary (Michelle Dockery) finds herself in the midst of a public scandal, and wonders whether her place among society has forever been tarnished. Meanwhile, her father, Lord Grantham (Hugh Bonneville) struggles with the idea of letting go, and passing the mantle to Mary. To throw everything into disarray, Lady Grantham’s (Elizabeth McGovern) brother Harold Levinson (Paul Giamatti) returns with a mysterious stranger Gus Sambrook (Alessandro Nivola), complicating things with money woes, and the family and servants plan a dinner with Guy Dexter (Dominic West) and Noel Coward (Arty Froushan) to try and win back Mary’s place among the town.
Downton Abbey: The Grand Finale is kind of like a really long episode of the show. But not one of the good or important episodes; more like a middle of the season, nothing really happens episode. That’s because, as far as can be discerned, this film has no arcs whatsoever.
Ostensibly the final chapter in the DA oeuvre, The Grand Finale endeavours to wrap up, in some way, shape or form, the stories of this coterie of characters. And in many ways it does. There’s an ending that sees each of these staples of your TV and cinema screen find their resolution; be it transformation, retirement, commiseration or comfort. But the film is curiously devoid of any real sense of finality because there is so little arc to any of these characters. The film is hamstrung by the fact that this plays out like a serial on TV, and so we get moments that mid-season might have enough impact to carry the 30 minutes, but on the big screen feel underwhelming. The final result is emotionality that feels less like a gut punch, and more like a cool wind somewhere off in the distance.
The cast is just as perfect in these roles as they have been for years, and the settings lose none of their grandeur. On the visual front, perhaps the only shame is that the film feels somewhat cheap on the big screen - although it can hardly be blamed for that, when it has to carry the visual cinematography tone and style from a TV show into a medium where the crisp clarity no longer feels like prestige period piece but rather cheap melodrama.
Ultimately, for the uninitiated, this film is going to be a completely baffling experience. Very little happens to justify a big screen presence, none of the characters are built up to care about in this single film, and the visuals feel out of place for the cinema. But this movie isn’t for the uninitiated, and these problems would likely be the same for anyone jumping into the new Avengers as their first Marvel experience, or catching Fast X as their first drag race with Dom and the family.
No, this movie is for the fans. And if you’re a Downton fan, what more could you ask for? All the favourites, back together on the big screen. The wonderful family manor home, resplendent in soft dappled sunset. Witty repartee, banter and the frolics, fancies and rules of this period of aristocracy. Sure, the film misses something crucial in the loss of Dame Maggie Smith, but that doesn’t stop the thing that will make this a win for its audience - when the Downton Abbey theme plays, you can’t help but feel a familiar stirring in your heart.
