Give me some Hasselhoff ass cheeks PLEASE. 

Slower paced but compelling, and at times heartbreaking, viewing. 

A fizzling, glowing rom-com with a wonderfully interesting premise. 

Still a heap of fun, even if it can’t quite touch the heights of the original. 

Not as fun, nor as effective, as the first film - this sequel has moments of grandeur but is bogged down by its source material and its length. 

This updated adaptation of The Running Man might be a bit long, but it’s full of edge of your seat action, laugh out loud one liners, and a great underlying world that at times is more interesting than the plot itself. 

A slower paced film with moments to love. 

Good Fortune is a sort of film that only does things by halves. While it makes a strong statement on the economic pressures facing members of society in this day and age, it isn’t as funny as it wants to be, nor as sweet and poignant as it wants to be.

A House Of Dynamite is a wonderfully tense examination of our safety in the age of nuclear weapons, but the master of tension can’t quite stick a landing that feels like its worth all the edge-of-seat waiting.

This crazy true life story is brought to life with passion and 90’s flair. 

An introspective biopic that subverts some of the usual tropes of a fight movie, while giving space for a wonderful lead performance. 

No touchdown, but the pre-game isn’t bad. 

Propulsive, hilarious, action-packed cinema that feels all too speedy for its whopping runtime.

Undoubtedly a joyous watch for fans of the series. 

The Roses is unbelievably funny, and wonderfully performed. Well worth a look.

Kangaroo might have been the sort of cliche-driven film to skirt by unnoticed, but its lead two legged hopping character, Liz the joey, makes sure this film has staying power. 

A worthy addition to the franchise, if a little overlong and exorbitant, The Bad Guys 2 will have you rooting for this group of sneaky criminals once again.

Relay is at its best when it’s a smart thriller. The initial conceit is wonderful, and while his prowess makes no sense, Riz Ahmed’s Ash is a compelling hero.

Caught Stealing is a blast, and it’s the sort of film that we wish we saw more of these days.

Against the odds, Freakier Friday delivers on its promise, revitalizing an iconic early noughties classic in a way that feels fresh, worthy but also just like the OG!